February 2nd, 2025Artists of the Central Highlands

with Eve Lamb

Clunes’ Christine Lethlean is renowned for her beautiful textile work and well known through her role as a textiles art tutor and regional  co-ordinator for the biennial Textile Palette exhibition held at Clunes’  Warehouse. But this talented 3D conceptual artist is equally at home working with media spanning print, sculpture, paint and lead to create  works that constantly push her own creative boundaries in a quest to elicit in others a desire to look more closely.  

Eve: Hi Christine, what are you working on there?  

Christine: This sculpture is a 3D depiction of my own hands. I’m using papier mache and I will paint it and then add a rust treatment so that it looks metallic.  

Eve: Once it’s completed will it be able to be displayed outdoors?  

Christine: Yes. It will be suitable for display outdoors. Right now I’m doing the undercoat. I’m aiming to capture all the imperfections of my own hands, things like wrinkles and sunspots.  

Over the past 22 months I have been creating work focusing on the ageing woman, body shape, and the concept of letting go of what was and moving into what is. Work I have produced as part of this project was exhibited in several different exhibitions last year including at the fortyfivedownstairs gallery in Melbourne and at Oxygen College in Ballarat, and I’m continuing with this  project.  

Eve: What sort of work has this ongoing project included so far?  

Christine: It has included making a full-scale cast of my own body, working  predominantly in papier-mache using layers and layers of tissue paper, but also  using electrical duct tape and plaster cast. It’s my first ever full-scale life-sized  sculpture.

It’s called How Did I Get Here? and it’s concerned with the issue of homelessness that’s impacting more and more middle-aged and older women in our community. My daughters, who are both creative, have helped me with this project by  taking photos of me because the work is based on my body.

The girls take the  photos of me and then I work it up. But I’m also working with textiles, painting – I prefer acrylics, printing, graphite and charcoal for drawing. All of what I use in my work is recycled.  

Eve: Do you have any special events or exhibitions coming up?  

Christine: Yes. I will have work in a show called Threaded that will be running for three weeks at Caelene Nee Glen Gallery in Brighton opening February 20. It runs to March 9.

I will probably have six or seven pieces in that, predominantly  textiles. It will involve four textile artists. Three of us are from regional Victoria and one is from Melbourne.

Eve: Do you have any preferred subject matter?  

Christine: Portraiture, landscape, even abstract. But I also do a lot of still-life.  Still-life but really moody…  

Eve: Have you ever worked in any other field?  

Christine: Yes. In a former life I was a health professional, a registered nurse. I was brought up on a farm in Western Australia’s eastern wheatbelt. We learned how  to make something out of nothing. I’ve always had an eye for aesthetics. I’m very  privileged now but I’ve had a difficult and challenging life.  

Eve: What area of nursing have you worked in?  

Christine: Aboriginal health, mental health, drugs and alcohol. I’ve learnt to walk with people.  

Eve: And you teach art as well don’t you?  

Christine: Yes, I teach people how to create a masterful art piece using textiles and  scraps. I have my studio here in Clunes where I teach on Mondays and Wednesdays,  and I also really like to regularly invite guest artists in for special workshops as well.  Every January I do printing classes – woodcut, linocut, monotype printing.  

But I also teach all over the place. This year I’ll be teaching in Melbourne, Ballan,  Broken Hill, Adelaide, Mildura, probably Geelong…  

I do like to teach. I think curiosity is a quality that is so underrated. When  something is giving you the shits you’ve got to get to a space where if something  hasn’t worked you just ask ‘well, what happens if I do that instead?’.  

I’m always working on projects that stress the shit out of me. But you’ve got to  make mistakes because it pushes you into new parameters.