Police are keen to hear from anyone with information relating to a fatal house fire that occurred in Maryborough last week.

Emergency services were called to reports of the fire at a residential property on Barr Street about 11.45am last Thursday February 13.

The fire was contained to the single-storey house where a male occupant died at the scene.

Two women, in their 30s and 60s, along with a 3-year-old child were treated at the scene for non-life-threatening injuries.

A 2-year-old child was airlifted to hospital in a serious condition.

A crime scene had been established and an arson chemist had attended the scene with the investigation remaining ongoing.

Anyone with information was urged to contact Crime Stoppers on 1800 333 000 or submit a confidential report online at www.crimestoppersvic.com.au.

This story based on a Victoria Police report

Photographer Ian Kemp will present a free talk at Maryborough’s Central Goldfields Art Gallery tomorrow Saturday, January 18 at 2pm.

Mr Kemp will share insights into the background, process and ideas behind his photographs which are currently on display at the gallery.

As a fine art photographer, he will discuss how he decides on the subjects for his artwork and then how this leads to choosing the content and form of his images.

Mr Kemp’s current In Solitude exhibition includes portrait studies, landscapes and still-life photographic compositions reflecting the range of subject matter in which he is interested.

with Eve Lamb

Mount Greenock Geological Reserve summit and return

We’re “guinea pigs” today, joining the Great Dividing Trail Association on a walk led by Professor Barry Golding. It’s a kind of test run for a walk forming part of a fairly spesh little public tour series that Prof Golding  will lead in early December. More on that later.

The walk we’re tackling this fine Sunday is described on the GDTA website as focusing on a number of lesser known legacies associated with Mount Greenock volcanic crater in southern Dja Dja Wurrung Country.

These include a Deep Time perspective, Major Mitchell’s visit, deep lead mining and a history of licenced and unlicensed grazing on the present-day Mount Greenock Geological Reserve.

After we climb Mount Greenock we’ll also visit the  public Scenic Reserve across on neighbouring  Mount Glasgow before we head on to nearby Merin Merin wetlands reserve, steeped in Aboriginal heritage going back thousands of years, for a lunch stop.

It’ll be 5km walking and 20km car travel between sites all up but for the purposes of this article, I’ll focus on Mount Greenock.

The Mount Greenock Geological Reserve is located between Talbot and Clunes, accessible off the Marybrough Road, on the right  just past McCallum Creek as you head toward Maryborugh.

Paddy H and I roll through the gate of the public car park, entry to the 120 hectare  Mount Greenock Geological Reserve, fairly early for a Sunday, to rendezvous with members of the GDTA including Prof Golding.

Prof Golding is soon to launch a book featuring  six of the  notable peaks of this wider region, Mount Greenock included, and the notable legacies that surround them.

There’s 15 of us walking today and after a bit of obligatory chit-chat we set off. It’s only about one km up to the top. Not far, but a really punchy little walk to the summit that stands 385 metres  above sea level.

“There is no track. There is no right way up. Choose your path,” says Prof Golding,  a tad Buddhist- koan-like, as we move off as a group.

As we slowly gain elevation, Prof Golding stops to tell our walking party about the volcanic rock we’re now seeing strewn about, while also keeping a careful weather eye out for snakes at this time of year.

“Once you get up here you get basalt,” he says.

“And this is ropey lava with a flow structure,” he says, picking up a largish chunk. The basalt to be found here is so light it can just about float in your bath.

There’s scoria and  “tear shaped volcanic bombs” some containing the semi-precious gemstone olivine, ancient and dating back to the time of the volcanic activity that formed this landmark local peak “an estimated half a million years ago”.

“It’s quite young in geological terms,” Prof Golding says.

As we climb, the vista above is profoundly photographic, the sky huge.

Prof Golding talks about the importance of this place to the Indigenous people over many thousands of years, as all around us the view expands.

Below and beyond the grasslands stretch and sing.

“What you see now is what was here on contact,” Prof Golding says of the extinct  volcanic cone that is Mount Greenock itself. “Major Mitchell who climbed up here in 1836  described a bald green hill…”

“The rich grasslands were like a highway for the Aboriginal people. There were emus, kangaroos, wallabies, lots of small mammals.. There were silver banksia, bulloak, sheoak.

The grassland “highway” could be followed all the way to the coast at Portland, something  f which Major Thomas Mitchell also made good use, we learn.

About half way up, Mount Kooroocheang appears on the horizon and with each step we take toward the summit of Mount Greenock more volcanic hills and peaks can been seen all round.

“We’re high enough here at 385 metres to see back over the Divide to the south,” our guide says.

Here, at the top there’s a stone monument to Major Mitchell’s trek  in  1836. We stop and Prof Golding talks about the impacts on the Aboriginal Traditional Owners that followed the arrival of the  Europeans with their grazing ambitions in this area.

It’s not a happy history and is something that Professor Golding does not shy away from in his soon-to-be-launched new book, Six Peaks Speak: Unsettling legacies in southern Dja Dja Wurrung Country. He is also keen to highlight the rich Aboriginal legacies that remain in the landscape today.

In the days leading up to the book launch on December 11,  Prof Golding will lead a series of walks associated with the six peaks that act as focalisers in the book.

Mount Greenock is one of the six, and the walk we’re on today will be repeated for anyone keen to sample it at first hand. You can find out more and register to participate in the upcoming led walks through the  Great Dividing Trail Association website. Just go to ‘ Events’.

But now, we “guinea pigs” are finally standing  atop Mount Greenock. And the view is amazing – 360 degree of shimmering panorama. Peaks, volcanic grasslands and  hills.

“I suggest you download the PeakFinder app,” Prof Golding says. One of our party, a local teacher keen to  know more so as to share that knowledge with his students,  immediately does so  – for a cost of $8 apparently.

From where we now stand, we learn, there are 180 “visible” peaks – weather and treeline dependent – including Mount Buninyong and Mount Warrenheip way off near Ballarat, and even Mount Cole and Mount Warrenmang roughly to the west.

 It’s a view more than worth walking for. Be sure and pack a picnic.

Words & Images: Eve Lamb

A man is facing charges following the execution of a search warrant on an illicit tobacco store in Maryborough last Wednesday, August 14.

Central Goldfields Crime Investigation Unit detectives attended the store, inside a shopping complex, on Burke Street.

Investigators seized under warrant more than 21,000 illicit cigarettes, loose-leaf tobacco with a street value of about $25,000 and over 400 illegal vapes with a street value of approximately $20,000.

Total lost revenue for the government for the illegal import of these goods, is estimated to be $78,531 in tax avoidance.

A 24-year-old Maryborough man was arrested at the scene and interviewed by detectives.

He is expected to be charged on summons to attend Maryborough Magistrates’ Court at a later date.

Women on Women is the latest exhibition at Central Goldfields Art Gallery in Maryborough.

Three artists from Central Victoria and three artists from Melbourne are brought together in this exhibition that encompasses painting, drawing, photography, printmaking, and textiles. The unifying theme is the celebration of the diversity of women’s experiences.

Central Victorian artists are First Nations artist Tashara Roberts, Tenar Dwyer from Bealiba and Fiona Somerville from Talbot, alongside Melbourne inner-city artists Ruth O’Leary, Starlie Geikie and Lyndal Walker.

The exhibition itself is the result of a partnership between Central Goldfields Art Gallery and the Melbourne based not-for-profit organisation, Satellite Projects, that supports visual artists through an innovative program of exhibitions, networking and professional development.

The exhibition is on display until June 16.

Words: Donna Kelly | Images: Contributed

Twenty-one art quilts from around Australia are finalists in a prestigious national award which has now gone on display at Maryborough’s Central Goldfields Art Gallery (pictured above) until 20 August 2023.

It is the 7th time that the biennial Golden Textures Contemporary Art Quilt Award has been presented by Central Goldfields Art Gallery after the inaugural Award was initiated by Maryborough art quilter Jenny Bacon and the then Gallery Manager, Kay Parkin as a homage to the region’s long connection with textile manufacturing and craft.

The exhibition brings together leading exponents of art quilting from around Australia with artists contributing work from Western Australia through to Tasmania.  All of the art quilts have been created in the last three years and none have been publicly exhibited before.  Central Goldfields Art Gallery is the sole venue presenting this remarkable exhibition of contemporary Australian art quilts.

Visitors will be surprised by the way artists continue to extend the boundaries of their art form.  A wide of range of materials have been employed by artists from recycled materials including protective masks used widely during the height of the COVID-19 Pandemic through to hand painted fabrics and cottons. 

Whilst there was no theme requested for entry into the Award, interest in landscape, social commentary, beauty and abstraction are explored my multiple artists in different ways.

Robyn Cuthbertson’s entry titled Beneath is a free motion quilted silk that is embedded within 3 wooden, upright sculptures while Jackie Gorring’s entry titled CardyJump utilises found pieces of crochet and repurposed knitted materials in an art quilt that references the memories embodies in the materials once worn.

Artists included in the exhibition are: Anna Brown, Mandy Baker, Sandra Champion, Robyn Cuthbertson, Sue Dennis, Dianne Firth, Jan Frazer, Jackie Gorring, Lynne Hargreaves, Ronda Hazell, Judy Hooworth, Glenyce McGauchie, Jem Olsen, Beth Reid, Trevor Reid, Melanie Sampson, Greg Somerville, Caitlin Stewart, Linda Steele, Tania Tanti, Lisa Walton and Brenda Wiseman.