June 9th, 2024Artists of the Central Highlands

With Eve Lamb

Just at home riding a Harley motorcycle through the desert as he is mingling in a classy art gallery, Sailors Falls creative, Michael Lelliott works with paint, drawing, photography, film, sculpture and sound to celebrate beauty where he finds it. Currently, inspired by a very recent desert excursion, he is working on a suite of new paintings to exhibit as part of this August’s winter fundraising show at The Little Gallery in Trentham,  where he will be among participating artists.

Eve: Michael I hear that you are currently preparing for a rather special show at The Little Gallery in Trentham, the gallery’s annual winter fundraising show. What do you have in mind for that?

Michael: Phillip Edwards,  who has the Bullarto Gallery, and I are just back from a trip to the desert, the Mungo National Park, camping in swags, and I am doing on a body of work coming out of that trip for The Little Gallery show.

I am also planning to enter a work (coming out of this trip) in the Pro Hart Outback Art Prize.

Eve: A camping trip to the desert. Sounds like fun. Can you tell me a bit more about about it?

Michael: What I love about getting into that space, that landscape, is that the more you sit and wait, the more that’s revealed. You start to see the shift in colour and the shift in time, and the Mungo is on this amazing dune that’s constantly being pushed back revealing layers going back in time.

We had a little walking tour there with an Indigenous guide. And while we were there we also started painting under moonlight which was a really interesting experience.

Eve: What sort of media are you working with as you prepare work for the upcoming winter show at The Little Gallery?

Michael: Watercolour, pencil and gauche on paper. I often work at night. You can get a lot done at night, play dance music and have a glass of wine while you work. The work I am doing is very physical. I put a lot of movement into the work. I’m not a traditional watercolourist.

Eve: What is your background?

Michael: My background is in product design, consumer products. I still do a bit of brand work but I am now becoming a full-time artist.

I studied art at the Victorian College of the Arts in the late 80s, early 90s, print making and photography and I had an arts practice for 30 years, lived in Fitzroy, Europe, Germany for a while. I was pretty focussed on brands, product design but I decided to refocus at the end of ’22, start of ’23.

Last year I spent the first six months just discovering mark-making again. We went to the desert. Mutawintji and Bimbowrie. I think ‘space’ is the right word. The landscape gives you permission to be present.

Eve: Are you inspired by any particular artists?

Michael: So many. Right now I’m thinking of Fred Williams, also of Russell Drysdale in terms of landscape. Those sort of 40s, 50s, 60s Australian artists.

Eve: I know that you are truly a multi-media artist, who is even known to dance, but what genre are you working with currently?

Michael: Still life and landscape. With still life and landscape I can get out of my own way. With photography though, I do focus on people. And I tend to shoot without setting it up.  

Eve: Anything else coming up on your artistic radar, Michael?

Michael: Yes. A group show at the Bullarto Gallery with Phillip Edwards and one or two other artists in November.

I’m heading to the States (USA) in July and we – a group of friends, actors, artists, sculptors and I – are riding our Harleys from LA to New York, starting our trip by going across Death Valley.

We’re going to follow The Rockies so I’m expecting there’ll be other work coming out of that for the Bullarto show. Australia is my heart-space. But it will be interesting to see how the desert there is different.

I am also going through a series of photos I did between 2010 and 2014 for a book. It’s particularly about motorcycle subculture.